Sunday, May 8, 2016

"The Magnificent Seven" (1960)



More like “The Suckers From America”. Remember the feeling of honor and codes. That’s what these seven dirtbags are hoping for in a farming town in Mexico who are desperate to get a bandido raider (Eli Wallach) from stealing their crops.
There are some massive issues with the logic of the movie, but a lot can be chocked up to…well, it was the times. I love this type of western, because it meant something. These dirtbag cowboys have had their history in the world. And banded together for zippo money for the legend they hope to become, instead of the outlaws and scoundrels they’ve become. A redemption on their end. Why not use the skills of terrible people to do good. A great premise. And one first cultivated in Akira Kurosawa’s “The Seven Samurai.” Yes, this movie is a remake, and the next one coming out this year will also be a remake of the original Japanese story. In case you didn’t know your film history. I understand though, since I didn’t really fully comprehend some people sidestep the concept of remakes by saying that they’re remaking the source literary remake. “The Revenant” incidentally, isn’t a remake of “Man In The Wilderness” it’s taking from the source material of the man it’s based on (which I believe is now public domain). They sidestepped it all, and our fucking stupid society didn’t even go up in arms about the ape job these people were attempting .Yet, people flip their shit over “Ghostbusters” remake (note: audiences are your friends and enemies…the stupid stupid idiotic enemy, which believes its own victory lies in a weekend box office receipt, and not say…longevity).
Yul Brenner stars in this one. A lone traveling gunman who comes across three Mexican farmers who are searching for the help of a gunman. Brenner picks up another down-on-his-luck guy Steve McQueen, in a heroic act of coaching a Native American through racist gauntlet to bury the body in a cemetery, they both catch the attention of these Mexicans.
They explain to them their situation. A bad man, played by Eli Wallach (in his “Good, Bad, Ugly…” years) has an army of men who come into town and steal their crops. They need protection. Yul, being Yul…and with nothing on his plate, is intrigued by the challenge. In fact, they even point out that some men only do things for challenge.
Eventually they find the 7 men through fun ways. James Coburn shows his prowess with a knife in the most fun way.
The townsfolk are rightfully afraid of the gunman. As far as they know, people with guns are crooks. And they’re not wrong. But these men are here for redemption. Not crime. And they proceed to also train the townsmen to defend themselves. The most amusing one being that Charles Bronson is flanked by children who will profit from his death, though promise to honor him. A touching moment shared by this chiseled face tough guy.
This movie is crammed with honor and dishonor. The difference between doing something for money, and just doing something because it’s right. A lot of these bad guys are using it as an opportunity to reboot their lives. And this may be the last stand to do so. In that case, it’s a cause worth fighting for. I hope that the new remake will include this theme. It’s sorely missing in our society today. That you can be tough, but also live with honor, and word of mouth commitments. It’s strange, but during this time…this was produced by The Mirsich Company (which produced my favority movie ever “The Apartment”) which I read recently conducted most of their dealings with a verbal promise and a handshake. AND they made good on their word. To me, it is the sole reason why we are so litigious these days. That we can’t keep our word. There’s a great lesson to be learned from this movie.

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