My friend won a award for her film for which I was the cinematographer…on film.
It’s pretty significant as it also comes with dough. So it’s not a slack
contest.
This makes me so genuinely happy for a few reasons. 1) she
didn’t go to film school 2) she is passionate about a cause and it’s a good one
3) everyone who worked on it came together as a team.
It is an awesome thing to see people collaborate and be a
part of it. This town sorely lacks the ability to be involved even at the base level. Everyone already wants to direct a feature.
I love that she outdid all us numbskulls who went to film
school to study the craft and then get completely ignored. Lesson: film school
is overrated. But the better lesson here is the ability to make something
despite any perceived obstacle in your way.
The project had great support, not a lot, but great. I would
add also that it was done outside any institution that would help. Remember
when I told you about my film school friend who attempted to make a short film
outside of school and boned it? Well, she sidestepped all skeptics and not only
finished the movie, but won. Pretty amazing, if you ask me.
But it also made me think about my fellow grad school film
colleagues. Man, looking back now, NO ONE was looking out for each others' best
interest. They were looking out for their own. It’s laughable now when I think
of what we were trying to do. There wasn’t any real infrastructure to our
projects. Just that everyone wanted to directed and egos got in the way.
Between the 15 students I graduated with, the majority were blowhards. They
came into film school as rejected writers. Then proceeded to translate blowhard philosophy into an
entertainment medium. I distinctly recall questioning their motives in life,
only to be shouted down with “…it’s what Paul Schrader did.” Can anyone reading
this tell me who Paul Schrader is without looking him up? Probably only film
nerds.
My biggest gripe, because I hear these young never-beens at
the New Beverly eagerly talking someone’s ear off about the nature of the film
business, due to their experience as either being a production assistant at
some third rate production company. Or that they are someone’s personal
assistant. Naturally they know what Hollywood wants and is a breath away.
Negative, hipster with hemp bag sitting next to me at a kiddie matinee…your
best bet is to drain your savings to make a movie, then become the old guy who
lives in Sylmar wondering how he got to middle age and doesn’t have a credit to
their name.
The real answer for this fellow is to slowly grow into a
career they want. Directing movies or shooting movies isn’t all fun and games.
It is enjoyable, but it’s still work. If you’re a know-it-all douche, you will
never be spoken to again. I know I sound like one here, but I’ve got some
experience in the business now, and generally I don’t, in person, share too
many of the trade talk. It’s much more fun to goof on people.
I’m proud of the accomplishment of my friend who believed so
much in her project, but much more proud she didn’t have the delusions that so
many had fallen for. I think film school breeds that. Too bad.
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