Brian DePalma is a smarmy pervert. I love that. Which is why
I love his movies. He loves looking at tits. And making women do nudity. I’m
sure there’s a story out there about his fetishes. Strangling widowy baby doll
voiced hookers. Who would this sound like?...yep…Hitchcock.
Blow out is about Jack Terry, a post sound editor/maker for
sleazy schlock horror movies. He’s bored, but still dutiful in his business. This leads
him to record sounds for these bad movies. While in the park, he inadvertently
records the death of a governor and potential presidential candidate. Was it an
accident or was it intentional? Who knows? In fact, DePalma completely drops
the political garbage and focuses on the paranoia that creeps in when you fall
into conspiracies. John Tavolta plays Terry, and he is saddled with Sally who
is played by Nancy Allen. Both are DePalma graduates from “Carrie.” Nancy being
DePalma’s muse...and ex-wife (it seems in the 1980’s). It’s also cool to see a supporting
cast with Dennis Franz as a fitting Manny Karp. He is pitch perfect scuzball blackmailer.
This movie is fantastically crafted. It’s not surprise that
it got the Criterion treatment. The DVD contains a great interview with Nancy
Allen & Brian DePalma. And you get the insight to a movie that was inspired
by another movie (DePalma claims it was inspired by his sound editing work in
“Dressed to Kill”). The movie has a TON of gimmicks that make it stand out.
Things like split-focus diopters (a signature of DePalma) and camera moves in a
360 circle as in one scene where Travolta threads audio and slowly discovers
his audio has been erased. Or long takes with just letting actors act. It’s
much more stylistic than “Scarface” and seems more cerebral and low-key. This
movie may not make sense to the younger generation, since it involves a lot of
technology that no longer exist. It’s wonderful to see an upright Moviola
editor, or a sync block with audio readers. Trim bins, and grease pencils and
Nagras (field sound recorder). I recall bringing the reel to reel Nagra home to
Ohio from school and being told not to lose the lock screws that hold the reel
in place. This is the most easily lost item. And really expensive replacement.
It was cool to see that piece of gear, and remember of those days.
The other thing that I think we like are the how-to’s. Like
when Travolta starts to put together single cells to make a flip book to
recreate the car accident based on frame by frame shots he got from a magazine.
This takes zero dialogue and you get what’s going on. Also, Nancy Allen has
never been better. She has an ease about her. While being dim-witted, we still
get a sense of street smarts. And while naïve, still has a good heart.
This movie is definitely worth a look.
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