Wednesday, September 7, 2016

In Defense Of "Roseanne: Season 9"


Why would I be writing about this television series and on Season 9? Because it has been greatly touted as THE VERY WORST ENDING in the history of television. I argue, “A.K.A. Pablo” was much more devastating. Having the Mexican deported isn’t funny.
But I won’t blame you, because…SPOILER…if you intend to watch the series…
Having the most interesting most charismatic character die in awful. And heartbreaking to end a series that was so beloved by blue-collar television onslaught.
Here’s why I think it works..
In the beginning of this season, it was determined that Roseanne was going to go off the beaten path. This meant the walls of their home would be open. Let’s face it, you can only do so many “we’re poor” jokes before that dog don’t hunt. They have to have some breaks in life. And so, Roseanne invented the idea that they win the lottery. To which it changes them all. And although this is shoehorned in…the mental disability of Dan’s mother…we realize it was simply to get him to go out of town to fall into an affair. Somehow…much like what we assume we couldn’t let a good guy like Dan (John Goodman) become a bad guy, he constantly had to reiterate that he didn’t bang his mother’s nurse in California. This sets up a scenario of “winning” Roseanne back. Yes…if we were to watch this immediately…we think this was too forced. It makes sense later.
And so Dan and Roseanne get back together and the children have children, and everyone grows up before our eyes. The introduction of Mark (Glenn Quinn, who tragically died of a drug overdose later in real life) first is a contentious bad boy love interest for Becky (Lucy Garanson and later Sarah Chalke) then a mousy artist sensitive hipster-before-hipster David (Johnny Galecki), then Fred (Michael O’Keefe) for Jackie (brilliant from first season to last by Laurie Metcalf) and also Nancy (Sandra Bernhard), and someone who COMPLETELY falls off the face of the planet Krystal (Natalie West) who is supposedly Roseanne’s very best friend and marries Dan’s father. None of this comes into play nor has closure. Which also, the youngest son, D.J. (Michael Fishman) doesn’t have the ending either. Why? Got me. Darlene (Sara Gilbert) also softens too much in this season. To a point where you REALLY miss the old days. The gas had been let out of this season but look…let’s face facts…Roseanne was DETERMINED to make this be a blue-collar comedy. And I love her for it. I love that it was about a working class actress/comedian finally come to terms with the insanity that was her life. If she conjured these scenarios for these episodes concludes with her explaining why…we get the closure we need. It’s absolutely heartbreaking to realize Dan doesn’t continue with the family. Devastating, yet true. The writing basement she was gifted many seasons prior becomes the very place she went to cope with the loss. And why not. I use this blog to cope with many losses. And if I could re-write a lot of my history, I would. If only for entertainment purposes. In life, we don’t get to chip the edges that cut us deeply. We simply move around and mold around. If we’re flexible. To me, all these episodes are crushingly direct and obvious. And I hate to say it…boring. The jokes land as flat as ever. BUT…I think this season functions perfectly now that you can binge watch and get the entire tone of what it became. I am absolutely impressed with the bravery it takes to end a series like this. Melancholic in nature. Cuts to the core of artists who often feel the world should be one way and constantly disappointed that the reality rears its head.
To the people who desperately wanted “Roseanne” to end on a high note…I understand why as well. But it wouldn’t be honest. Honesty is that deep pain is truth. I wager if she sugar coated the ending, we would be left with something less poignant. To be fair, was it a series she conjured up completely from life experiences…most likely. Borrowed here and there…we get…mm…maybe an exaggeration. Or maybe a half truth. Or someone else’s truth. The point is, whether Roseanne had lived it or not, it is very convincing that she had appropriated it somewhere.
If this season is devastating to you, go back and watch an earlier episode to cleanse the palate. To me, this is the inevitable end no one asked for, but is deserved.

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